Monday, March 30, 2009

Theresa Rebeck On Structure

Here's an interestingly defensive and cunningly argued article that Theresa Rebeck (author of Mauritius) wrote in the LA  Times about story, structure, and the cultural position of plot in the theater today.  I think of theater as storytelling, essentially, and it is kind of gross for me to think about someone rushing to the defense of narrative, championing Story.  Story is not going anywhere, and the Straw Man of the pompous and elitist (and alcoholic?) story-hater is, I think, silly.  

No one denies that King Lear has a plot.  No one really holds that against Shakespeare.  If too many contemporary plays are being written with a disregard for storytelling that's too bad for us and for them.  Exploring the possibilities of the stage is hard for me to look down on, until that becomes as institutionalized as whatever commercial form is ignoring those possibilities. If this has happened of plotlessness, it happened when I wasn't looking.

Hat Tip: LRN

Saturday, March 28, 2009

I've been called 'flexible'...

But, oh my god.  


The internet is magical.


Audience Participation, Cont'd

Allow me to be one of the last to link to this.  It's been posted in the green room at Mauritius for a few weeks.  From the Onion.

Wednesday, March 25, 2009

Cliché Watch?

As you might have noticed there's no Cliché Watch this week. We're gearing up for turning them into debates with guests in different positions in the theater world.  Should be a lot of fun!  

Friday, March 20, 2009

Every Day A Phone Rings In Act Two

I think this is a serious functional and, actually, aesthetic issue that should be approached a little more creatively than it has been approached so far.  The piped announcements before shows certainly do something to remind people to turn off their phones, although they should probably stop advising people to turn off their beepers since Clinton is no longer in office.  I have noticed also announcements cropping up after intermission is over, at the Northlight this even includes the sound of a ringing phone before the message, which I think helps.  

Nevertheless, every day a phone rings in act two.  I remember when I lost one of my front teeth in a swimming accident, I got a fake tooth put in and the dentist taught me the new way I needed to brush my teeth to take care of the fake one.  I asked him how long I would have to do this.  He answered: Forever.  It's a trivial example but one of the first times I really understood permanence.  We have no reason to believe that at some point in the future everyone will always remember to keep their phones off and that no phones will never ring. This is a new problem - people have always coughed, always fallen asleep, always spoken during performances -  but we can believe phones ringing during the show to be at least a semi-permanent condition of the theater.  What will we do?

Sometimes a live announcement helps, I've even watched people from the stage ask everyone to pull out their phones and turn them off together.  This is kind of cute and pretty effective, I imagine, even if it does feel like summer camp.  I think there is something to that reinforcement of the community, a ringing phone affects everyone.  

But what I'm really wondering is if there's a way to manage this from the stage, I'm not sure what form this would take, but I think it's worth investigating.  

Thursday, March 19, 2009

Multimedia Announcement The Second

Probably one of the best Jazz pianists of our generation is Gerald Clayton.  He is also my big brother and I wrote the new bio for his website.  Check it out here.  (It's under the "Press" heading.) And buy his upcoming album "Two Shade" here.  And no, I do not know what that thing is on his head.

Multimedia Announcement The First

Anne Nicholson Weber's latest podcast at Theatre In Chicago is all about the O'Neill Festival.  It features Robert Falls and Greg Allen talking with Anne about the festival in general and Strange Interlude.  Very good stuff (and it includes a generous reference to my reactions at the end). Check it out.